Honouring Esther: revisited

Sunday 11 September, Honouring Esther, an installation, Bath Jewish Burial Ground 11.00-16.00

still from installation

A sound and moving image installation in the old cottage alongside the Burial Ground, the ‘prayer room’. The installation is curated from digital work originally presented as part of the Forced Walks: Honouring Esther exhibitions. The Somerset cycle of walks in 2015  finished here on the 70th anniversary of the liberation of the Bergen-Belsen concentration camp. It will be poignant to reflect on the work today: after Brexit, with the far right in power and close to power across Europe and as the Home Office’s Hostile Climate continues undiminished. At the time we were shocked how our walking-in-witness referencing a Nazi Death March appeared to visually resonate with the tv shots of refugees walking through the fields of eastern Europe.

What will we make of it seven years on?

2015 walk ended at Bath Jewish Burial Ground

The route of the opening two-day walk for Honouring Esther was determined by the transposition of the route of a Nazi death march to Somerset. We walked on public rights of way as close to that route as possible. The project retraced part of the journey Lorna’s mother, Esther was forced to take from Lodz, Poland, via Auschwitz, to the infamous concentration camp at Bergen Belsen. Walking 70 years later in Somerset it became our journey too. Where the line of the route in Somerset crossed the imagined line of the death march we stopped, listened to testimony, talked, asked questions and shared. In 2016, a year later, we hosted a further walk on the actual route of the death March in Germany. More than a walk-in-witness, the cycle of walks inspired by Esther Brunstein’s commitment to social justice, the project continues to generate profound conversations about the resurgence of fascism and threats to human rights.

Short immersive films and soundscapes

The installation consists of a series of short immersive films and soundscapes produced using field footage gathered by walkers from the walks in Germany and Somerset, including media gathered by a team from Bath Spa University. We are really excited to be showing the work again in Bath and we extend a welcome to all, especially those who those who walked with us. We will be there through the day. The Honouring Esther archive is here.

We are grateful to the Bath Jewish Burial Ground for the invitation to exhibit as part of the Combe Down Art trail (venue 7), and for the continuing support of Bath Spa University for this project.

Maps and tanks…more layers

Walking into the Commons building at Bath Spa University I was stunned to see the map still showing in satellite view on the MediaWall. BSU media wall wide

It was showing the last day of the walk, live as we had left it. My tears were not dry. I am still waking on that endless walk, a whole body anxiety that I might not get there, might not make it in time. Think of Esther and the others. Imagining myself walking. Feeling it shift and blur and decay to damp powder in my memory’s hands, like rotten wood. A flashback shock that burned with me .BSU media wall Waldeslust2

The walk had been well watched and as we learned more, we heard of a crowd gathering in front of it watching the dots of the Social Hiking beacon advance and the blue social media markers light up as we made our way live. Conversations resonated from the space. We heard of and later met a former tank driver who had been stationed at the barracks we had visited where Esther had been hospitalised. He had stood and with his work mates watched our path light up. He urgently wanted to share his experience and we stood in front of the track of our walk, looking at the satellite view of our retracing of Esther’s forced march and he identified his places. Told of his sensed echoes of Belsen survivors. Ghost in the camp. The Cold War resonates. In our heads we mapped together.BSU media wall wide Belsen

Walk Day 2: Winsen to Belsen

thoughts and comments from Richard White:

Indifference is granular, as we walk deeper into all this, into ourselves, history and the terrain we find fewer explanations and more to make sense of. The heroic carpenter of Winsen who hid the French death march escapees is memorialised as a local hero but in his time he was shunned and considered to be a shitinthenester. Julius’s work has recently surfaced this local memory and proudly told local story, but why so late to memorialise him and why so few did not seize the moment to do the right thing. Silence of shame perhaps. Silence of consent. Silence of complicity…… What do you tell your children, what do the grandchildren ask of their grandparents. I was told stories of heroism and the Blitz. Harder to surface the small acts of resistance.

road sign Belsen3

Winsen: we gathered in the morning at the memorial stone joined by Annete Wienecke and a student, local walker Dieter from the day before and were met again by Julius. Julius set the challenge of further researching the story of the escapees, finding the military records. The Mayor came out of the townhall greeted us again and saw us off.

Walking out through the town passing perhaps the same red rooted houses Esther recalled. Who looked out those windows? What did they see?

littlredhouses wndow

A clump of trees close to the site of a shooting of a death marcher, perhaps collapsed or walking too slowly. The trees, maybe saplings then, representing the moment, perhaps embodying it. Later a more recent roadside shrine, the tree scarred, bark viciously torn, bearing witness to car crash and lives destroyed in that recent brief moment of terror. Walking on into the rain. Cold wet penetrating rain. Wind driven cold. Stinging our faces.

walk solitary towards1

We, kitted up for all weathers, stayed dry. Looking out from under hats and hoods and umbrellas. Listening intently to the sounds of the forest. Listening closely to Esther’s recorded testimony  and the words of the poets spoken by our children.

Out of the trees into flat open fields wooded paths off to right and left. Dark mud scraped off crop remnants. Piles of mechanically crushed building….what stories in the crushed concrete and bricks. Fabric almost erased and recycled for new purposes. We walk on in the cold and wind whipped drizzle. Across the fields, darkly edged with trees, in the shadows hidden and revealed by its movement, a deer.

Walk without words, thinking about exile and belonging. The rain intensifies, we become aware of our bodies. Feeling the cold, imagining the cold. The need to urinate intensifies,  death marchers forced to walk on. I stop to piss in the woods. Such a stop would have cost me my life. Looking out deep into the forest I think of escapees, hunter and hunted and those who stumbled their last and fell and were shot…

The endless road… they would not have known how far it was to go. I thought of refugee children walking with their parents today, what I would say to the question “ Are we nearly there?” Just keep walking. The rain became mist in the distance and the walkers disappeared into it. Cars hissed past. Discarded bones by the road. Walking into our bodies, the terrain walking itself. My attention is drawn to a discarded boot. Tall trees swaying, the roar and hiss of fast passing trucks and buses, a huge tractor towing logs. Pine trees, wind blown aroma. Sounds of the working forest and from the military zone tanks accumulated distant engine roar. A woodpecker ratatat sound like gunshot and I imagine an abandoned body in concentration camp stripes, exhausted, shot dead, slumped in the ditch. Discarded. Straight black wet path, ditch drain alongside. Today only discarded plastic.

At last we stop for hope, we remember Anne Frank and I hear my daughter’s voice, we think about the ideals and principles that sustained Esther. The Bund. Internationalism. In cold drizzle we listen to Paul Robeson signing The Partisans Song  and I for one was warmed. With our art we act in solidarity, this 71st anniversary is a platform to connect, as well as feel, now. I tweet and record sound and images. I read that the walk is live on the map. Connections made, resonating….

group in wood wet

Into the brooding mist of the dark forest to the historic entrance to the Bergen Belsen camp. A dash across the busy modern road that separates us. Disorderly to the stone that marks the site of the gates.  We make our last public intervention, the 10th station, Liberation. Our voices for those silenced. Here Lorna takes a soil sample.

wet path empty

…and that is how the group of walkers entered the Bergen Belsen Memorial, the site of the former death camp. Overwhelming. Looking for remains, for some sense of hard bricks and mortar truth. Out of the huge open space of mass graves and into the woods, here there are the remains of levelled foundations, preserved as clearings, the site of huts. Bernd Horstmann thinks that it is most likely that Esther was taken here, the women’s camp. Here too when she arrived somewhere, barely alive in the cold and the stink and the squalor was Anne Frank and her sister. In memory of Anne Frank and all the others here and world wide who did not make it, we stood in silence and listened to a dear friend and ‘Uncle’  Meyer Bogdanski speak the Kaddish. My sister, Julia,  produces a yellow stone from Burton beach, in memory of Pat our mother who died just after Christmas. I sob big body wrenching cries.Belsen womens camppath2

Returning to the main field undulating strangely, unnaturally, with what is buried beneath. Concealed. Thousands of bodies and the ashes of more. Sandy soil scooped up to cover and define burial sites but also to bury the remaining watchtowers and barbed wire. As if the buried remains were forcing themselves to the surface. The forest returns with wild boar and wolves, trees planted and self seeded, permitted, managed.

Finally as the light began to fail we were welcomed in to the education centre by Stephanie and Bernd.  Welcomed with food and drink. Sharing the story again, exchanging gifts. The book of names from Bernd…only a third of the victims have been named, Esther is there, he showed us and we now play our part in networking the search for names. 100,000 victims still to be named. And at last we connect with Esther via Skype. Mother sees daughter from Belsen 71 years later. A surreal encounter concludes with Esther looking out of the screen, her care home iPad showing only the top of her head and the ceiling of the care home, projected onto the Belsen class room wall. Off camera Esther’s closing remark: “Now thats what I call magic”, reduces the room to uproar, laughter and applause.

Out into the still, cold, dark, night. Warm hugs and farewells with the Belsen staff team. Returning the way we came, changed, the car headlights only illuminate the edge of the forest. No wolves howl.Woods boot

Walk Day 1 From Ovelgonne to Winsen

It begins again.
At first its a history tour, a site visit then as the conversations begin and the elements take their toll, emotion and contemporary resonances start to manifest themselves. We hear of a phone call, only yesterday, an elderly woman sharing a childhood experience seeing brutal treatment of slave labourers from the Judenlage, ‘Waldeslust’. One woman was bent over and could hardly stand, the guard beat her and when she could not get up he raised his gun and shot her. The guard then looked threateningly at the girl and she ran away.

There is another kind of memory surfacing here, the child witness who was told by parents and officials to say nothing and not question. As they come to the end of their lives the questions remain and the experience re-surface. We hear a story of children who ran up with food to the death marchers passing their homes. Small and incredibly brave acts of kindness. Dangerous to offer, dangerous to accept. A story silenced for a generation. Perhaps we have been, momentarily, a stimulus for the re-surfacing of that story. Indifference is granular and it transforms as we get closer to individual acts of indifference, complicity, courage and resistance….and childhood trauma
Station inheritance family.jpg
At last through the wind and cold, cold rain across the icy river to Winsen. Over the bridge carrying yellow tulips..not sure if this was a symbol but the yellow stood out, the colour of the star they wore. Over the bridge with flowers and ivy…some distant echo of the original meaning of Wandeslust. A group of us, more than we had expected. Older people networked by our respected and connected Julius Krizsan and informed with such sensitive and lyrical German/English by Irmlinde Florian, a community of local remembrance www.ag-bergen-belsen.de is represented and bears witness in the yellow tulips.
Aller bridge tulips.jpg
We walked in the cold and rain, we stopped to share and tell our stories. Revisiting the last remnants of the slave labour camp, trying to imaging 400 starving women being worked close to death and trying to survive in such a place. Beating the bounds of the camp and trying to imagine what ghosts haunt the new houses on the site. We stood at the site of the gate to the compound and listened to Esthers voice.

Against all the odds she had lived to tell the story and we were there to witness and re tell it…this happened here. Her story is ground truthed

It felt like the end of the day when we crossed the bridge carrying the yellow tulips. Passing an old redbrick building with two stars of David in relief……no one knows…. To the memorial stone at Winsen. A memorial to a brave carpenter who with the help of others enabled French prisoner on a later death march to escape, he hid them until the British army arrived. We play Paul Robeson singing The Partisans Song in their honour, for Esther and for all acts and actors of resistance. Julius K told the story and then the Mayor greeted us and invited us in to the town hall.
Winsen stone group1.jpg
A truly humbling experience followed, we were welcomed with food and cakes tea, coffee and sparkling mineral water. The Mayor read a powerful statement in halting but strong English, his daughter, the same age as Esther would have been, had helped him. As we drip dried and warmed up we heard more of the story of the carpenter told in praise of those who seize the moment, do the right thing, take the risk for justice and human rights. What a man, lets have him as our Mayor!

We finished with a resonance bringing us right up to now, meeting Ismail from Iraq, one of 150 refugees currently welcomed into Winsen, and Karina from Azerbaijan, his support worker. Both had survival stories to tell crossing borders with children seeking safety, underlining the real value of organisations such as UNICEF, UNHCR and the Red Cross. Belonging begins with a sense of safety, in Winsen the welcome is warm. Putting us to shame as UK citizens. As Karina said these are world problems, we are all people we have to work together to solve them. We connected past with present, at least now they communicate.

Belsen behind the barbed wire

Belsen Roundhouse windowserased
Its about layers and what we tell ourselves and are told about each one. What happens when you dig through them and question through. Lorna took her first soil sample from the yard of a house built within the barbed wire perimeter of the Waldeslust camp. A pile of earth pushed aside from the building work, dark and sandy. Perhaps Esther trod on that earth. New house, white walls, shoes outside on the porch, dog barking and as I stood guard on that strange and rather furtive new ritual the central heating kicked in. Only steam from the chimney. Mix of guilt and catharsis, maybe they were just ignoring us.
Waldeslust soil1

We  recce the arrival at Belsen discussing dilemmas and legacies with the archivist Bernd Horstmann. We visit the rest of the Belsen story still held behind barbed wire. Deep in the Nazi built military camp occupied by the victorious British and now returned to the Germans we saw buildings where survivors of Belsen were cared for and where some died and were buried. We saw their meeting places and heard echoes of their stories. Into the vast Round House once a concert hall, once makeshift hospital, now echoing, empty and cavernous. Full of ghosts. The British military have handed it over in full working order. Along with the site and buildings including churches and shops and cookhouses, a new built secondary school for 500 children, also stands empty. Cold War front line spaces idle and silent. Meanwhile refugees trudge their way to makeshift camps. History knocks on the door.
Belsen Roundhouse interior1
At last walking through the ghost gates of Belsen as Esther did when it was hard real and deathly 71 years ago. The landscaping tells its story, the horror is not concealed.  I hear Esther retold talking about the shakey sensation of early fever, the creeping awareness of death approaching, saying to to herself and to her dead mother that she had done her best, she had tried to make it, to tell the story but that she feared she would not be able to carry on. Thanks to the soldiers she did, we will be there on Friday ensuring that the story continues to be told.

Preparing the way

First days in Germany

Celle childhood installation

A teddy bear in a museum/gallery in Celle Synagogue reduces me to tears. A childhood under the shadow of the swastika. An empty room with a tin bath and a teddy. A child’s toy bears witness. The bear materialised my tears. The squalid last days of the war, one town helped death marchers escape and hid them, in another, coerced or complicit, locasl people chased down and shot or captured escaped prisoners. The Celle Hare Hunt. The rounded up survivors were death marched to Belsen perhaps along the same route we had driven.
Celle stolpersteine2
The Celle Synagogue: it survived Nazi thug axes and was never put to flame as it would have set the town alight. Here new life and recovery began as Belsen survivors reclaimed the building in 1946. In the street outside polished by snow grip grit, rain and foot fall, my first Stolpersteine, ‘stumbling stones’  peoples remembering places for the people that once lived there, old people who fled to Holland but were brought back to Auschwitz to be killed, others disappeared and one my mothers age dead before she could be a mother. Here remembered.
Hambuhren Tiger Orchid4
This afternoon we are seated in the Zuhlke garden centre alongside Hambuhren Tiger orchids. Here we meet with Julius Krizsan our local fixer and former Green Party MP, as avuncular and no nonsense as I had expected from our email exchanges, local historian Irmlinde Florian, eye witness Hans Ovelmann and Herr Zuhlke, owner of the garden centre that sits at the edge of the Waldeslust site. The walk was toasted with light bulb glasses of Irmlinde’s red home brew. Prost.

Later we tour the perimeter of the site and view the remains of Waldeslust, what horrors and squalor has that building seen. We see some things that Esther may have seen and we look on. Try to imagine and can’t. The tall trees are recent, the big one perhaps a sapling 71 years ago. A Narnia lamp in a thawed landscape, darkening trees and evergreens, the absence of snow adding to the macabre.
Waldeslust remains 3
We are overwhelmed already, immersed. Tomorrow checking day two of the walk, the long haul through the woods to Belsen.

 

The walk online

How to follow and join the walk. 

live.

without walking!

logosmall-with-border.jpg

  1. if you have a twitter account log in… if not,no worries!
  2. go to Social Hiking  http://www.shareyouradventure.com/
  3. Social Hiking will ask you to log in in via twitter so click the log in with twitter button. …. thats all you have to do, if you dont have a twitter account it still looks the same but you wont be able to interact so easily:
  4. you will see 3 columns
  5. on the left column, Latest Maps, when the walk is live on 4 and 5 Feb, you will see the current walk with the WalkNow icon and the word LIVE on it, probably at the top of the column
  6. click on the name of the walk and you will see a new green screen showing the line of the walk with little blue icons if you click on them they will show tweets and links to other social media!
  7. Logged into Viewranger via twitter, the map will update and you will see the walk grow over each day, it may do that without being logged in. It will appear as two separate maps, day 1 and day 2. There will be peaks of activity mainly in the mornings, see times below. Please tweet/retweet/comment and encourage others to do so!
  8.  Check out this direct link to the walk on Thursday and this one for Friday

We will be using @walknowlive and @forcedwalks for the main twitter feed

Facebook: forcedwalks

other social media links will be bounced through twitter and facebook

please follow/share/like etc,

use and check out the following #tags  #honouringesther #walknow

you can also follow the walk by following me on Viewranger http://my.viewranger.com/user/details/277417

draft route map:  http://my.viewranger.com/route/details/ODAwODI=

Honouring Esther. Making connections … thoughts

The walk in Germany will remind us that a refugee’s journey continues until they find safety and a welcome and a sense of belonging. For many it is a life long search. In the end we are all migrants and we all need safety, security, love and friendship.

For those on the move today their journey continues from terror and persecution trudging across inhospitable lands and  surviving perilous sea journeys. Here in our relative comfort we need to make that slogan ‘refugees welcome’ real right to our doors. It is not essential for all of us to go in person to the beaches of the greek islands or the refugee camps on the borders, we can give money, food and clothing. But more than that we can work to greet the refugees that arrive in our country to support them and make them feel safe and welcome….and continue to do so. Its a long journey.

For Esther it took two years before she managed to get into Britain even though her only surviving close family member was already in the country and the rest of her family killed by the Nazis. Even after that the welcome was uncertain and her story difficult to tell.

We have much to learn from Esther, we feel out project is timely.

Please help us get this last phase funded, click the link below:

Forced Walks: Honouring Esther. Germany. 2016

Exhibition in Bath

The exhibition of work from the Somerset walk is currently up and running in central Bath. In the first exhibition room we have curated a series of 10 panels using research and documentation from the walk. In the glass box there are ‘relics’ gathered by the walkers and in the alcove, the notebooks they kept on the walk.

Rm1 entry wide

The second room show a series of floor pieces. Each room has its own looped audio ambience forming a randomised mix of bird song, trudging feet and comments recorded on the walk. These sounds mix with the voices of tourists and their guides, buskers, abbey bells and city seagulls calls filtering in the open door. A unique audio experience in each room. Every hour on the hour the exhibition sound is silenced by the call of the shofar and the sound of one of the interventions is played as a memorial candle burns momentarily. At the end of the intervention the sounds return and the air is briefly tainted with the smell of burning.

rm2 done 5

An orchid blooms in the darkness, a resonance of the orchid farm supposedly operating from the site of the Waldeslust slave labour camp.

rm2 done

The light from the projection reflects into the installation room. A series of short films representing the experience of the walk are projected across the hall disappearing along the wall out to the door. Sometimes it seems like a walker has dissolved out of the film and into the world and sometimes it seems that an exhibition visitor disappears into the film. Across the digital divide.

projection walk down

On the corner of Abbey Street we look out on the Abbey, the Roman Baths and the ceaseless ebb and flow of tourists. This week is Bath Spa University Graduation week, students in gowns and proud parents getting their souvenir shots in front of Bath’s historic architecture. Strange and powerful juxtapositions.

The exhibition runs at 44 AD Gallery, Abbey Street, Bath until Sunday 19 July at 16.00